Kids

YEAR: 1995

DIRECTOR: Larry Clark

STARRING: Leo Fitzpatrick, Justin Pierce, Chloë Sevigny, Rossario Dawson

Larry Clark is undeniably an important figure in modern and contemporary film, assuming that role, in part, for his unflinching yet sensitive portrayal of the grim realities of urban youth culture. Ask any generation for the last several centuries, the common epithet is, ‘Kids these days…’. 

Long is the list of explorations, across not only film but music, literature, etc., that there’s some poison in the potion.

But what is so powerful about Clark’s reality of adolescense — or kids, as might be an apter word — is that these

for his profound impact on independent cinema and his unflinching portrayal of youth culture. His feature debut, Kids, is perhaps enough evidence to prove his intention — though it’s been constantly denied whether the act of its making was a crime. To a twentith- or twentieth-first century audience, you might not find much indictable in the offence — and nor should there be.

As the simple title of the film indicates, what it takes as its object of representation is a simple one. It’s not a film about humans in general, about the vagaries of human action in a spontaneous episodse of crime, in the psychic warp of war, a marriage lost of lust, the betrayal of values most dear. The film takes as its object of focus a type of psyche that, clearly already being fortified, damaged, and confused by such valences is yet raw and unconsolidated enough to give them full form in action.

Tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these—thought and character—are the two natural causes from which actions spring, and on actions again all success or failure depends.

These are just kids, in the prime of cultural inculcation.

The

. It’s a film about this particular

  1. Authenticity and Realism: Larry Clark's films are renowned for their raw authenticity and unfiltered portrayal of youth culture. Drawing from his background in photography and his experiences growing up in urban America, Clark brings a unique perspective to his films, capturing the gritty realities of life with remarkable realism.

  2. Exploration of Taboo Subjects: Clark's willingness to tackle taboo subjects such as drug use, sexuality, and violence sets him apart as a filmmaker unafraid to confront uncomfortable truths. By shining a light on these often overlooked aspects of society, Clark challenges audiences to reexamine their perceptions and prejudices.

  3. Influence on Independent Cinema: Larry Clark's films have had a significant impact on independent cinema, inspiring a new generation of filmmakers to explore unconventional storytelling techniques and push the boundaries of cinematic expression. His DIY approach to filmmaking and his willingness to take risks have paved the way for other independent filmmakers to follow in his footsteps.

  4. Provoking Social Commentary: Through his films, Larry Clark offers incisive social commentary on issues such as poverty, alienation, and the struggles of adolescence. By delving into the lives of marginalized youth, Clark sheds light on the systemic injustices that shape their experiences, sparking important conversations about society's failings and the need for change.

  5. Legacy and Influence: Larry Clark's influence extends far beyond the world of cinema, permeating popular culture and inspiring artists across various mediums. His uncompromising vision and commitment to authenticity have left an indelible mark on the cultural landscape, earning him a place as one of the most important and influential filmmakers of his generation.

In conclusion, Larry Clark's importance for film cannot be overstated. Through his raw authenticity, willingness to tackle taboo subjects, and incisive social commentary, he has challenged conventions, inspired a new generation of filmmakers, and left an enduring legacy that continues to shape the cinematic landscape.